Design & words: Stephen Manka
These modern day landscape installations start
up where the cultural gardens leave off. None of these necessarily
should be installed. Rather the community should determine what
collects in their garden. With that in mind, here are a few ideas.
This installation appears like a hoop dream poised
on the hill above MLK Jr Drive. On hot nights, passing vehicles
will catch a glimpse of the bright lights and then see cagers drenched
in sweat.
When you drive MLK at night you see scores of people
playing tennis late into the evening. Often, I am envious and occasionally
return with a friend, balls and racket. Illuminated activity drops
the idea into ones head to participate.
Located at the departure point from the Rockefeller
Culture Garden, marking the beginning of the Counter Culture Garden.
The purpose of this fountain is to breathe life into the myth of
wealthy industrialist John D. Rockefeller. It is said he would give
dimes on the streets to the children of Cleveland. Here is a fountain
that continues this tradition, by giving visitors the opportunity
to throw dimes into the shallow water, knowing the local children
are free to use these dimes to buy ice cream or a pop at the corner
store. The shape of the fountain should be circular with a stone
surface that follows the enlarged contours of an actual dime.
For this installation we see a monumental pillar scrawled
or etched with large type. Here are the numerous “inspirational”
civic slogans that have come and gone (or never arrived).Slogans,
which for the most part are ridiculous, but intend to help us reflect
on who we really are as a community (or just beg us to not take
ourselves too seriously). Here is a growing list: Cleveland,
we stayed. Cleveland, we get our hands dirty. Cleveland, Gotta be
tough. Cleveland, were no plum. Cleveland, better than bunions.
Cleveland, spelled like it sounds. Cleveland, our nuts don’t
rust. Cleveland, steel your heart.
This mythical beast undoubtedly will be a favorite
with kids because of its nature - the well-suited man with the bull
head. This sculpture will resonate quite differently for those with
an understanding of the corporate culture.
A Stainless Steel staircase is positioned in the Counter
Culture Garden. It serves several roles. At first site it is a compelling
landmark reflecting the setting sun. Further investigation reveals
a beautifully detailed staircase that ascends two-three stories.
Children invent ball games at its base; an older couple climbs to
a pavilion on top to look back at their neighborhood. This elevated
vantage point helps them grasp the scale of their streets and the
uniqueness of Glenville. Meanwhile, the sun is visible setting behind
a silhouette of downtown. Later that evening several people gather
for a performance at the base.
This bold landscape installation is centered around
a slightly crowned oval field with a collared edge that provides
seating and gates. Mothers sit comfortably on the edge while youngsters
invent games.
Here we discover a pedestal that is vacant of the
usual oversized bust of a VIP. Kids will be the first to discover
what a great thing it is to climb and stand atop—encouraging
them to occupy the position of the next super hero.
This Glenville native became fascinated with the subject
of laborers and in 1921 he modeled the first of his sculptures for
which he become famous: Workers at a Cleveland blast furnace. This
installation is an industrial gate in the shape of an oversized
nut perhaps fitted with a collection of (1/3 scale) Kalish sculptures
such as his first laborer, The Stoker.
This draftsman of huge budgets and neighborhood-altering
plans is frozen in time, a man in error with earnest intentions.
He’s depicted as a cyclist riding an instrument that can only
go in circles.
Antoine Fisher lived, for a time, on Drexel Avenue
in Glenville. Homeless and mixed up in trouble at the age of 17,
Fisher enlisted in the Navy where a sympathetic counselor helped
him find a path. Fisher’s autobiography was made into a 2002
film starring Denzel Washington.
Demarcating the seam between garden, Shoreway and
rail lines, Trumpet vines hang like laundry to create walls and
an unusual room. Here local musical legends would be ennobled and
remembered. The Sound Wall will counter the hum of traffic with
the call of Kenny Davis' trumpet or the crescendo of Greg Bandy’s
drums (both Glenville natives). Performed in the flesh or piped
in, vibraphones, horns and percussion are audible at various points
along the sound wall. The furious traffic disappears.
Tell
us your ideas for a Counter Cultural Garden and we'll add it
to the list...
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